Olympus M.Zuiko Digital 25 mm F1.8 Lens, Fast Fixed Focal Length, Suitable for All MFT Cameras (Olympus OM-D & PEN Models, Panasonic G-Series), Black

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Olympus M.Zuiko Digital 25 mm F1.8 Lens, Fast Fixed Focal Length, Suitable for All MFT Cameras (Olympus OM-D & PEN Models, Panasonic G-Series), Black

Olympus M.Zuiko Digital 25 mm F1.8 Lens, Fast Fixed Focal Length, Suitable for All MFT Cameras (Olympus OM-D & PEN Models, Panasonic G-Series), Black

RRP: £349.99
Price: £174.995
£174.995 FREE Shipping

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We understand this can sometimes be difficult with work commitments, but we will do our best to accommodate your needs. The only flaw I found was the presence of purple flare, something that both Heather and I noticed since the first days of use. Ideal for a wide range of photography, this standard focal length prime lens reproduces a field of view that feels natural to the human eye, for perfectly balanced proportions and is therefore an essential addition to your kit. While this lens provides a similar focal length, the Panasonic lens is 2/3 of stop brighter for better low-light performance, but shows more vignetting at that aperture. to your kit is a great idea if you’re interested in taking beautiful images of your family and friends, or even your food when you’re out to eat!

has a minimal difference in depth of field, it is shorter, but the difference is minimal it does not justify the purchase even if it is 1. circular aperture delivers beautifully soft defocused backgrounds for impressive portraits or when subject emphasis is the desired photographic effect.In terms of construction it feels more solid and better made than the cheaper kit zooms but it is not up to the standards of the Olympus 75mm 1. might rapidly become a classic lens in the MFT system, especially among those who enjoy this field of view.

One way to create shallower depth of field, to compensate for the smaller sensor size, is to go nearer to your subject. However, if 35mm perspective resonates with you better, and if you do feel the need to shoot a normal view "wider", then the M. Clifton Cameras is a credit broker, not a lender and is authorised and regulated by the Financial Conduct Authority (FRN728300). However, stopping down this lens improves sharpness even more -- and across the entire frame -- especially around ƒ/4-ƒ/5. The optical design has been constructed to fight against aberrations even in challenging conditions.It has something to do with how natural and now normal the images look and feel from this perspective. In very high contrast areas (at highlight clippings) of out of focus zones, there are some color fringing, but the issue is very minor. Add to that the slightly chunkier proportions of m4/3, and your perspective will be slightly different from what you're used to (if you are used to it) with the 35mm film/50mm lens combination. With that thought in mind…here are some observations I can make from my own experience with these two lenses. Generally, I think of primes as offering superior performance, but with the E-M1, I just don't see it.

The lens makes for a very light and compact combination even on Olympus’ larger bodes such as the OMD EM1 ii. As appropriate, we shoot these with both full-frame and sub-frame bodies, at a range of focal lengths, and at both maximum aperture and ƒ/8.In-depth testing Latest Camera Reviews Beyond the studio tests Feature Articles and Videos see how we see Sample Galleries real world performance Field Test Videos Throwback Thursday Classic Cameras from Days Past What's that Noise? We will collect the Import Fees Deposit at the time of your purchase and use it to cover applicable taxes and duties on import.

The performance of this lens alone makes it a versatile piece of equipment, perfect for when you don’t want to carry around multiple lenses. I did do a comparison with this lens against the Panasonic 25mm last week, and in that article, I have 100% unaltered crops straight from RAW conversion with no manipulation.The featured ZERO (ZUIKO Extra-low Reflection Optical) coating cuts wavelength reflections by 50% to ensure imaging is clear without ghosting or flare. on the 35mm film/full frame digital format (36mm diagonal): 50mm, which we've come to think of as "normal" on the latter format, actually is a slightly long focal length. On paper, this Panasonic 25mm lens delivers wider aperture, able to gather more light and render shallower depth of field at F1. just to clear off some confusion, 50mm focal length in traditional 35mm format is equivalent to the M.

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